Inside the heart of the museum, year nines from The Park Community School depicted real events from history that happened right here in Barnstaple – including an interpretation of a trial that took place in the Guildhall as a result of a young woman’s death. The performances appeared rather unrehearsed, but it’s nice to see how much they learned.
The performers then moved outside onto the square to act out scenes of youth homelessness and crime. Although it was unpolished, it was interesting to view events from past, present and future through a young generation’s eyes.
Altogether, a great opportunity for young people to get involved in theatre and engage in both historical and topical issues. Some with great acting potential also.
Aptly named after a friend commented that all his poetry was about “love, death and other cr*p”, t.s idiot gives the audience the opportunity to randomly choose which poems he will perform from these categories – meaning that every performance will be different.
A comedic spoken word performance with homemade costumes, sounds and props that bumped up the entertainment value! t.s idiot’s laid back approach makes the poems even more hilarious. Particularly a beautiful rendition of his poem – ‘Ode to an estate agent’ where he plays the snooty estate agent ‘Sharon’ brought the audience to tears (of laughter!).
Overall a good watch with both light-hearted and bittersweet moments. Thoroughly recommend.
This performance was aptly named as like a fruit salad, there was something for everyone! There was magic, slapstick and even ‘dance’, if you can call it that…
Seska had many magic tricks up his sleeve which, whilst simple, were played out in such a way that both adults and children were entertained. I was lucky enough to be part of a lively and enthusiastic audience which helped the energy of the performance, which of course is very important in a one man show. The performance was all choreographed to a high energy soundtrack that, in part, helped to enhance the show, but at other times held up the flow.
Of course the most important judgement is that of the children watching, and they all seemed to love it!
This was a wonderfully told story about the journey of a young, adventurous girl named Laura. It was a fun slant on the archetypal story of the Fisher King, with Laura meeting many colourful characters along her journey.
The props were beautifully crafted. This was especially true for the puppets, which required just a few simple but careful movements from the puppeteers to bring them to life.
Although the crowd I was in was small, the two performers brought much energy to the stage. There was a strong rapport between them, as the show was clearly well-rehearsed, allowing total trust between the players. I particularly appreciated the clear diction cutting through the noise coming from outside.
In all, this was a well-rounded performance able to entertain across the generations.
This show was a poignant reflection on the horrors of the treatment of the Jews, aptly performed at a time when the world seems to be divided.
The use of multimedia was very effective, as the videos that were played showed real Holocaust survivors, reminding us of the veracity of the story despite it being performed by actors.
We were definitely sucked into the story as the loud footsteps of German soldiers were heard, while the characters hid on stage. Although we could not see the soldiers, our imagination was enough, which was true for much of the performance due to the simplicity of the set.
Over the course of the show, we saw the characters break down due to the terrible treatment they underwent. An opposing perspective was also presented in the form of a member of the Hitler Youth, allowing us to see the indoctrination that the German people were subject to, as well as the normalisation of prejudice.
With an important story to tell, this is surely worth a watch!
The slapstick opening is suitably reminiscent of our favourite comedy duo, Laurel & Hardy, and sets the scene for a comedic, yet poignant, show.
I enjoyed the style of self-aware storytelling, as there was no separation between the characters themselves and the narrators, and it was very interesting to gain an insight into the lives of this well-known double act. Both the ups and downs of their lives were depicted, from their humble beginnings to their rise to fame to their illnesses and deaths.
The ‘behind-the-scenes’ issues were especially insightful, of course being the lesser known parts of Laurel and Hardy’s life. We learn not just of how Laurel & Hardy built up their ‘tricks of the trade’, but also of their troubles in their personal lives.
The development of their craft through the process of watching and learning interested me, despite not having grown up watching them, and has inspired me to discover more about the lives of these two entertainers.
The brainchild of NOS three, ‘Blooming Out’ is a charming two-woman clown show which explores a variety of subjects linked with the overall theme of womanhood.
From a technical standpoint the performance was very well planned, the music choices fit the situations perfectly and added a little extra to the comedy, as well as being used to great effect with the production’s more poignant moments. The singing was also a welcome addition to the show, especially linked as it was with the theme of motherhood.
The comedy was really good, very energetic and lively (and this is coming from someone who is not a big fan of clowning, so well done!) but at the same time didn’t make the more serious moments seem out of place. This show gets a recommendation because it has it all; comedy, music and dramatic moments, all of which flows together in a seamless performance.