If I could only use one word to describe this show, it would be ‘heart’.
Danny Cashmore has it in spades and it absolutely shines through when he is performing. Even with a small but appreciative crowd, Danny still gave a show worthy of a full house and rightly so.
There was a great range of musical theatre classics sung throughout the evening, with many of them suiting Danny’s voice beautifully (Hushabye Mountain a particular highlight). As Danny himself mentioned in the show, he completely embodies the characters whose songs he is performing. I would have liked Danny to showcase ‘himself’ a little more as he is a tenacious and dedicated performer with so much to offer.
As the evening came to a close, I feel we all got to know Danny a little better and he relaxed into the performance even more. I left the theatre rooting for him as he regaled us with his hopes, fears and ambitions for the future. Danny is a star in the making and I really hope he always keeps his heart.
‘Breeding Grounds’ tackles major world issues of climate change, immigration, overpopulation and the role of carers from the domestic setting of a marriage between two seemingly contrasting characters. Years after hoping to change the world for the better together, Ingrid and Stewart debate the capacity for politics to solve the issues facing our society with Steward discussing how his hands are tied politically, limiting the capacity for change in his role as an MP.
A witty perspective on domestic life, ‘Breeding Grounds’ is able to tread the line between the small domestic sphere of the two characters and their marriage with the broadness of the political decisions that will shape our planet’s future. Through a realistic look on British politics and a glimpse into village life familiar for many of us the piece challenges audiences to reconsider not only what we understand, but rather the truths that we don’t want to understand as we move forward.
Sam Gibbs can make me laugh just by standing still, stone faced, rolling his eyes, giving that look. In One Man King Arthur add a black cloak and a slight stoop and voila, there stands Merlin, our narrator of the tale.
This performer knows his craft, as with a battalion of varying voices, minimal nuances, gentle gestures or enormous sweeps of his arms he creates characters who carry his spell bound audience effortlessly, and always with humour, through a story that will never die: the tale of the first King of Britain, his fight for justice and the search for the Holy Grail.
But don’t take my word for it. Go and see it for yourself! You will not be disappointed.
A living testimony to the timeless power of stories, ‘The Corpus’ is an exploration of the stories that surround us everyday and the process of story creation and telling. Mark Ashford, discusses the role of truth in stories, tackling the issues with the plethora of fantasies that masquerade as the truth on social media that forms an increasingly large part of our lives. This he mixes with stories he has collected from himself and others adding a personal dimension to the piece that moved us all.
A highly relevant and powerful show – ‘The Corpus’ will be performed again at 1.45 on Sunday in the room at the top in the Queen’s.
A beautiful blend of sound and movement, telling the story of a man’s life and work with grace and compassion.
Rudyard Kipling stands alone upon a pile of books while three dancers enter one by one, pick up a book and read out loud a line of “If”.
Accompanied by a gorgeous score, these four dancers bring the writer’s story to life.
The tranquillity of the writing process is beautifully punctuated by playful creatures literally plucking their stories from Kipling’s head. The characters from The Jungle Book are brought to life before our eyes as they weave around Kipling in sensuous, flowing movements.
In turns both playful and poignant, the performance is enhanced by pinpoint precision from the production crew.
To paraphrase Kipling, these young dancers truly “walk with Kings”. A triumph.
‘Out of Words’ will be performed once more on Sunday at 7.15 on the main stage of the Queen’s.
‘Good Grief’ follows the narrative of a family distanced by a sense of personal betrayal who are brought together for the funeral of a loved one. The piece is a mix of moments of wry dark humour and of quiet, but emotive, pathos between characters as they try to come to terms with what has happened. Challenging ‘what’s normal when grief is involved?’, ‘Good Grief’ acknowledges the complexity of human emotion and the role of family in difficult times.
This is widened to the times we live in with the ever-presence of COVID-19 being keenly felt throughout the piece, creating a show that is at once satirical but also deeply respectful. ‘Good Grief’ will be performed again at 2.00 on Sunday at the main stage of the Queen’s.
In BEGIN we meet B, M and E.
Three characters who represent the Beginning, the Middle and the End, each one a part of the narrative but none of them able to tell their whole story without the others.
All three are stuck in their own destructive cycles. All three are seeking connection and meaning. Until they are unexpectedly brought together with shocking consequences.
B is the first to put voice to his disillusionment and his thwarted plans to become an artist. He’s grown up to work with paints, but not in the way he wanted – so he has to find new ways to express himself. Alfie Dale’s register ranges from downtrodden to despair and finally to violence as he rages against his unfulfilled life.
M has been rendered listless by heartbreak. He fiddles constantly with a Rubik’s cube, but he never reaches a solution, never comes to the end of the puzzle. Every twist he makes changes every part of the cube, just as the decisions he makes mean his life will never be the same again.
E expresses passionate monologues about the circle of life, nature & spirituality. She looks to the future, while M & B are both trapped in their disappointing pasts and can’t move forward.
E offers the others a chance to escape their pasts through “little changes” – “the small action that causes the avalanche”.
Live music accompanies the action, with George Bennett’s evocative sound design adding atmosphere and tension.
With minimal set and props, the cast fill the stage with their physicality as the actions builds to a devastating crescendo.
A bitter but true tale of injustice and betrayal, ‘Witch’ tells the true story of a woman convicted of witchcraft in the Devon area where the anger of a man who has lost it all combine with a fatal abuse of power. Through this show, ‘Circle of Spears’ hopes to give a voice to those deprived of theirs in witch trials and highlight the relevancy of historical injustices.
A poignant show that holds an audience as tensions rise and the ‘truth’ is finally revealed, ‘Witch’ will be performed again at 7.45 on Saturday and 3.45 on Sunday at the main stage of the Queens.
Once again Sam Gibbs of Autojeu is able to create joy for a fringe audience with his mix of precise mime, hilarious character work and unbounded energy. ‘One Man King Arthur’ is a retelling of the Arthurian legends, bringing the old tales to live in a physical performance truly enjoyable for all ages that plays with metatheatre and the role of the creator in performance.
Silly but captivating, ‘One Man King Arthur’ is a must-see for enjoyers of theatre and comedy that will be performed at 4.30 on Saturday in the Baptist Hall.
‘Fire in the Belly’ is the deserved tribute of the life and stories of the Woodrow ‘Woody’ Wilson Guthrie. Dave Plimmer tells the story of the musician and the man mixing biographical monologue in the voice of Guthrie with his music celebrating his art and fire plagued story. A testimony to the emotional power of a single performer creating a living biography, Plimmer is able to take us into the world of Guthrie and create a sense of the bittersweet reality of his life.
A must-see emotionally fuelled event for lovers of music and stories alike, Plimmer will be performing at 1.00 on Saturday and 12.30 on Sunday in Bridge Chambers.
‘Journal of an Encouraged Girl’ created by SParkS Youth Theatre Company tells the story of a modern secondary school pupil from a disadvantaged background trying to find her way through learning, who discovers the diary of a 17th Century maid telling of her struggles for education in a less equal age. The piece subverts the archetypes of the works of W. N. P. Barbellion and Andrew Motion in their descriptions of events from ‘The Journal of a Disappointed Man’ – through an enjoyable and highly relevant glimpse into the importance and power of education.
A story of learning across time, ‘Journal of an Encouraged Girl’ will be performed at Barnstaple Library on Saturday at 1.45.
The Red Balloon is a joyous and imaginative adventure through the backstreets of Paris, with Pascall and his new friend, a balloon.
Lucky Dog have impressed audiences with their comedic skills before at Theatrefest, but this show might just be their best yet. It’s a wonderfully heartfelt story of friendship, filled with laughter and fun.
The jokes come thick and fast in this show, as do the many colourful inhabitants of the Parisian suburbs, all brought to life on stage with verve, energy and an outrageous wig and fake beard or two.
Ultimately though it is the relationship between Pascal and his balloon that stays with you, a beautiful reminder that there are some friends, you just can’t let go of.
When you’re the silent, enigmatic, musical half of a two-person company and your loud, sweary other half disappears to foreign parts it takes some guts to get up on stage alone. And to do it in a dressing gown and underpants and then enact every performer’s worse nightmare? That takes real courage. Elliott Grant looked nervous. He sounded nervous. He was unprepared for this and had a sheaf of pages of unlearned half-written script to prove it.
And bang – that’s the hook. While you’re still just slightly worried about whether he’s going to get through the next 50 minutes you find yourself snagged on a line and gently – with a self-effacing grin, another apology, and a very deft touch – he’s reeling you in.
His self-described “Bad student poetry” is actually a beautifully balanced sequence. Well-written, delivered straight from the heart, there are eye-wateringly funny epics that are comic gold. (Trust me. The Bridgwater saga with have you crying with laughter. And as for that robin…) Peppered in between are reflections on the nature of theatre itself, childhood memories, intense and righteous political rage, and deeply tender moments.
Everyone has got 30 minutes to spare sometime this weekend right? And there can be no better way to spend it than in the company of Back ze Vore and their wonderful production of Poor Old Horse. Through the medium of song, dance and dark Devon storytelling this charming performance takes you on a journey through time and the changing circumstances that affect us all.
A not to be missed experience catch it at Castle Green 6.00 pm Friday, on Sat 11.45 at St Anne’s Art Centre outside, 2.30 on the High Street or 10.30 at St Anne’s Art Centre inside and on Sunday 1.45 on Castle Green.
This trio of stunning performers will have you ohing and ahing and dancing with joy by the end.
In this show, Shirley Halse takes us on an irreverent journey through the history of art and some of its most famous paintings. In her guise as ‘art expert’, we are presented with her particular take on art, with interesting facts and silliness running along side by side, though undoubtedly with the emphasis on silly!
Shirley engaged the audience from the beginning with a little audience participation in the way of drawing (on your own and nothing difficult!). She then continued to maintain an easy rapport with us throughout, creating an easy and relaxed atmosphere in which to enjoy the humour. I left the venue with my spirits lifted!
‘The Comprehensive School of Art’ leads us on journey through the history of art satirising both masterpieces and modern life through the eyes of a contemporary viewer. The piece deconstructs the concept of deconstruction tearing into the paintings of Leonardo DiCaprio and the works of the latte renaissance through hilarious – albeit fictional – backstory.
A very witty show that plays with language, reinventing artworks and exploring the link between art and the self. A must for lovers of art and/or comedy, Shirley Halse will be performing at 9.15 on Friday and 1.45 on Saturday at the castle centre.
Selich is a retelling of the old tale of ‘The Goodman of Wastness’ where a man steals the skin of a selkie – a mythological half-woman-half-seal creature – thus trapping her to land where she becomes his wife. This show is taken from the perspective of the selkie, exploring her perceptions of life on land as an outsider, and of her husband as both a ‘goodman’ but also as one who has held her captive for seven years.
The show talks about the links between the mystical and the all too real elements of the story telling the tale of a captive woman – who it could be argued is never ultimately free. Jess Cox is able to rekindle the story-telling tradition through vocal soundscapes, song and the richness of language with lines such as ‘shifting shingle and shell in the moonlight’ that create atmosphere and root the story’s link to the sea. The piece also has moments of profound silence, deepening our sympathy for the powerlessness of the selkie and her sense of personal betrayal once she is ‘flippered and free’.
If you want a show that explores what it is to be free, and what it is to be human: Jess will be performing at 1.30 on Saturday, and 7.00 on Sunday at the Guildhall.
‘The No Show’, explores what happens to a show when the main performer fails to arrive and those around them have to improvise a show based on the responses of their audience. It is a hard piece not to become involved in as an active observer, as we see the panic unfurling before us and become involved as the fourth wall is broken down. The piece also plays with the idea of the comic double act – albeit one created seemingly by accident – through the characters of the ‘performers’, harking back to commedia delle’arte with us seeing the show created by two modern zani.
The sense of panic and the need for quick thought required when performance does not go to plan was really brought out through the performers who are all either current or former students at London Metropolitan University. The piece was in part inspired by the sense of apparent pandemonium found within the works of Mischief Theatre – creators of The Play That Goes Wrong. This genre they are able to take in a different direction through the use of song, dance and perhaps the best lip-synced opera I have ever heard!
If you fancy a chaotic show rooted in improvisation, tackling the role of chaos in theatre – you can see them perform at 2.15 on Friday and 6.30 on Saturday at St Anne’s.
Bertie Bassett (aka John) might be 50 something and sad but he is also very passionate about all sorts, licorice pun intended.
This show is a punk fueled trip through the music that John loves and the politics that he hates, with some personal history and clog dancing thrown in for good measure.
John has performed many times at the Theatrefest, but this is the first autobiographical piece since his debut at the Fringe in 2009. If you have ever wanted to shake your first at the establishment, John can show you how and provide the soundtrack.
This show is next on at the castle centre on Saturday at 3.30 and Sunday at 4.30.
One of the most wonderful things about Fringe Theatrefest is the creative opportunities it gives to performers and creators of all ages.
The performers from Pathfield school may be the youngest at this year’s festival, but the energy they brought to the stage was so wonderful it is hard to imagine a better way to kick off the festival.
The ensemble knew all the songs and showed no hesitation in singing each one as loud as they could, with a new soloist being handed the microphone at the beginning of each song.
The camaraderie and support the performers gave each other through each number, was nothing short of inspirational, the joy they seemed to take in seeing their friends do well was brilliant and at the end of the final encore, there wasn’t a dry eye in the house.
With her winning stage presence and endearing smile it is hard not to fall for Tina Sederholm as she engages her audience, weaving stories of her life and the films she loves with poems, which, it turns out, encompass some of the big questions about the meaning of life.
This show might tell you it isn’t about therapy, and it isn’t – it is far too entertaining – but really it is.
Join Tina on her magical journey of self discovery in Gallery @QT Fri 6.15 or Sat 6.00
Pathfield Presents was my perfect start to this year’s Theatre Fest. An awesome group of young people from the Pathfield’s school’s Drama and Music group and Choir who impressed their audience with their huge musical talents and great enthusiasm for performance and song. Pure Barnstaple magic. Not 1,000 but a dozen voices singing loud and clear together.
If you missed today’s performance you have a second chance to catch it at Tent on the Strand tomorrow (24th) at 11.00. This will be a great start to anyone’s day 2. In the words of one of the songs they sang today they are ‘Simply the Best’.